Filmmaker

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goya’s ghosts

Milos Forman, Goya’s Ghosts

NATALIE PORTMAN AND JAVIER BARDEM IN MILOS FORMAN’S GOYA’S GHOSTS. COURTESY SAMUEL GOLDWYN FILMS. It is something of a tragic irony that after escaping the restrictions of Communist Czechoslovakia in 1968 — where he had made five films in five years — in the subsequent 40 years Milos Forman has worked in America, he has only made a further nine features. Taking Off (1971) was a transition between the looseness of his Czech films, such as the classic Loves of a Blonde (1965) and The Firemen’s Ball (1967), and the more conventional Hollywood style he would later adopt, and was […]
by Nick Dawson on Jul 20, 2007

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