In August, Rian Johnson was among the directors with Netflix projects invited to show works that inspired them at the company-owned Paris Theater in New York City. Among the movies Johnson selected were two whose influence is directly perceptible on Glass Onion: A Knives Out Mystery, the first of two sequels to his 2019 hit the writer-director is making for the streamer. From his 1973 favorite The Last of Sheila, Johnson borrows the opening set-up: A dangerously wealthy man invites a group of friends (or are they just parasites?) to join him for a week of elaborate games amidst beautiful […]
by Filmmaker Staff on Dec 15, 2022I read Confess, Fletch for the first time in high school and, ever since, it’s remained a personal favorite. That often surprises people when I tell them that, not least because the name “Fletch” is less associated with Gregory Mcdonald’s genuinely funny novels than Chevy Chase’s considerably goofier incarnation of the journalist-sleuth in 1985’s Fletch and 1988’s Fletch Lives. The original Fletch adaptation essentially retains the structure and basics of Mcdonald’s original but changes the tone to better suit Chase. For better and worse, Mcdonald’s books string together often hilarious dialogue exchanges with aspirationally Hemingway-esque connective prose; they work better when the emphasis is on […]
by Vadim Rizov on Sep 14, 2022“In Production” is a regular column which focuses on notable independent films that are currently shooting. If you would like your film to be included in this space, please send an email to nick@filmmakermagazine.com Principal photography has commenced on the star-studded film adaptation of Tracy Letts’ Pulitzer-prize winning play August: Osage County. Directed by John Wells (The Company Men), the domestic drama focuses on the Weston family who reunite after their alcoholic patriarch mysteriously disappears. Meryl Street plays the explosive, pill-popping matriarch Violet, taking over from Tony-award winner Deanna Dugan in the play’s Broadway run. August: Osage County also stars […]
by Byron Camacho on Oct 4, 2012Writer-director Greg Mottola won himself a lot of fans with his smart, witty debut movie The Daytrippers, and then promptly disappeared from the indie scene for the best part of a decade, working in television while he tried to get his sophomore feature off the ground. In 2007, he returned to the big screen fray with Superbad, the Judd Apatow-produced teen comedy, which was a number one box office hit and made him a hot commodity once again. Going back to his indie roots, Mottola followed up the success of Superbad with Adventureland, a beautifully nuanced coming-of-age dramedy about a […]
by Nick Dawson on Mar 13, 2011130 features (consisting of 60 world premieres, 12 North American premieres and 16 U.S. premieres) will screen this year from a record-high 1,792 feature-length films submitted to SXSW producer Janet Pierson and her team. Highlights include opening night film Source Code, from Duncan Jones (Moon), Jodie Foster‘s The Beaver, Greg Mottola‘s Paul, Sundance Grand Prize doc winner How to Die in Oregon, Errol Morris‘ Tabloid, Victoria Mahoney‘s Yelling to the Sky, Azazel Jacob‘s Terri and a special screening of Catherine Hardwicke‘s Red Riding Hood. See the complete lineup below. The Midnight, SXFantastic and shorts lineup can be found here. […]
by Jason Guerrasio on Feb 2, 2011CHRISTOPHER MINTZ-PLASSE, JONAH HILL AND MICHAEL CERA IN GREG MOTTOLA’S SUPERBAD. COURTESY COLUMBIA PICTURES. It’s a sign of Hollywood’s wrongheadedness that it’s been a decade since Greg Mottola last made a movie. In 1996, Mottola arrived on the scene with his debut, The Daytrippers, a funny and poignant indie that recalled the classy Hollywood comedies of the ’60s and ’70s. Though the film led to Mottola becoming friends with Woody Allen — unquestionably an influence on Daytrippers — his next two projects failed to come to fruition, so he turned his focus to television. Mottola’s work in TV has been […]
by Nick Dawson on Aug 17, 2007