Gregg Toland
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Is Shallow Depth-of-Field a Fad?
Most creative arts suffer from trends. Someone does something new or unusual, and suddenly dozens of others are imitating it; just look at Hollywood. Since the arrival of the Canon 5D Mark II, shallow depth-of-field has become almost a fetish. There’s certainly valid reasons to want to have shallow depth-of-field, as filmmaker Stu Maschwitz wrote on his blog: “With a 5D Mark II, its sensor double the size of a motion picture film frame, we can achieve cinematic focus at F4. We can get fetishistically shallow depth of field at F2.8. At F1.2, we can create abstract art in a […]
by Michael Murie on Dec 8, 2011
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