Like many film events this past summer and fall, this year’s Hawai’i International Film Festival found cinema in a bit of an uneasy holding pattern, what with the Hollywood strikes, the after-effects of pandemic production delays, a rising fear of an A.I.-dominated future, and a growing dissatisfaction with commercial cinema’s superhero-centric fixations. But rather than the paranoia and uncertainty that dominated mainland festivals, Hawai’i seemed invigorated by what was rising up in its place. News that much-anticipated titles like Alika Tengan’s feature Molokai’i Bound, Mitchel Merrick’s Native Hawaiian martial-arts actioneer Kūkini, and Zoë Eisenberg’s debut Chaperone had neared completion gave […]
by Jason Sanders on Dec 21, 2023Over the past decade or so, the Hawaiʻi International Film Festival presented by Halekulani—like any good organization—has been in a state of evolution. Ten to 15 years ago, under the then-leadership of executive director Chuck Boller, it was considered one of the best American festivals to celebrate and discover East Asian populist cinema, with guests lists of Hong Kong icons, Japanese auteurs and Korean superstars that put most other festivals to shame. In the 2010s, it shined through its programming of independent Asian American cinema, providing a platform for voices and visions typically shut out of mainstream media. In recent […]
by Jason Sanders on Jan 13, 2023An indigenous filmmaking focus and the ever-blossoming local film scene helped the 41st edition of the Hawai’i International Film Festival Presented by Halekulani return to an almost-normal state of in-person bliss this November. After a year and more of pandemic uncertainties and isolation, attendees shook off the social rust with varying degrees of success, while fears about being amidst crowds were somewhat abated by Honolulu’s vigorous vaccine requirements and HIFF’s strict 50%-capacity limits. The festival fittingly opened with the world premiere of Isaac Halasima’s documentary Waterman, on the astounding life of Native Hawaiian surfer/Olympian/celebrity Duke Kahanamoku; hit its stride with […]
by Jason Sanders on Dec 22, 2021With Waikiki opening in New York and Los Angeles on Friday, Oct. 27, 2023 (official site here), we’re reposting Jason Sanders’s 2020 interview with Christopher Kahunahana. A film with “a seventeen-day shoot and two+ years of post-production,” Christopher Kahunahana’s long-awaited feature debut Waikiki marks a coming of age for the emerging Hawaiian filmmaking scene. The first completed narrative feature film by a Kanaka Maoli (Native Hawaiian) filmmaker, Waikiki follows a young indigenous woman, Kea (a mesmerizing Danielle Zalopany), working multiple jobs—hula dancer for tourists, karaoke hostess for drunks, Hawaiian-language schoolteacher for kids—just in order to hold on, but slowly starting to […]
by Jason Sanders on Nov 25, 2020If there’s any film festival that could possibly benefit from this pandemic era’s new virtual normal, consider the one in the most remote major city in the world, Honolulu. (The city’s closest neighbor with a population over 500k is San Francisco, a mere 2386 miles away). The launch pad for Hawaiian filmmakers, a cultural centerpiece for cinematic voices across the Pacific Islands and Polynesia, and a proven showcase for East Asian genre and arthouse cinema, the Hawai’i International Film Festival has always spread its proverbial audience net far and wide, with theaters filled with high-school surfers one moment, and the […]
by Jason Sanders on Nov 24, 2020Attendees of this year’s Hawai’i International Film Festival enjoyed the organization’s usual blend of contemporary world cinema, Hollywood Oscar bait, gala celebrations and various other initiatives, but it was events off the screen—and the festival’s response to them—that made 2019 a year to remember for many. The re-emergence of a powerful indigenous cultural movement, fueled by the fight against the proposed Thirty Mile Telescope on the Big Island’s Mauna Kea mountain and similar native land-rights issues on Oahu (HIFF’s home base), was the talk of the community when the festival took place in November and lent a different kind of […]
by Jason Sanders on Feb 7, 2020The night before my interview with him, Wong Kar-wai addressed a sold-out crowd assembled for a screening of one of his greatest films, 1994’s Chungking Express. Hawaii International Film Festival’s longtime director of programming, Anderson Le, affably overcame some introductory ribbing by Wong (“Anderson, why do you ask me that question! It was 25 years ago, and after 25 years, it’s still that same question!” he jokingly responded to the first, somewhat innocuous query), and coaxed out some remarkable storytelling and reminiscences from the director. “Every film [has] their luck,” Wong began. “Certain films, the process is really difficult: the […]
by Jason Sanders on May 7, 2019A debate over power napping (“Hong Kong people have never even heard of that!”) proved least of the memorable things covered by Wong Kar-wai during his appearances at this past winter’s Hawaii International Film Festiva Taking time off from introducing films, appearing at the festival’s gala, and touring the island with his wife (and celebrating her birthday), Wong was kind enough to sit down with Filmmaker one leisurely Friday afternoon, amidst the becalmed tropical surroundings of Waikiki’s Halekulani Hotel. Born in 1958 in Shanghai, Wong “was born in a generation where watching films was the main entertainment for kids. You could […]
by Jason Sanders on May 1, 2019A question like whether a film festival should be considered “regional” or “international” in terms of outlook goes out the window when discussing the intriguing range of the Hawai’i International Film Festival Presented By Halekulani. Up until even a few years ago, the festival’s reputation was primarily that of a place to see the newest East Asian works; it offered a deep dive into established and emerging filmmakers, as well as various populist genres from China, Japan, and South Korea that tended to be overlooked Stateside. Works on Pacific Islander experiences and a few Asian-American independents rounded out the highlights, […]
by Jason Sanders on Jan 8, 2019A sense of optimism flowed through the 37th edition of the Hawaii International Film Festival, held over ten days in Honolulu this past November. Last year’s version may have been sucker-punched midway through thanks to the election of Donald Trump, which knocked the wind out of many audience members and staffers here in this deep-blue, Obama-proud state. A year later the crowds and the energy were back, along with an even-stronger determination to not only hear new stories, but to committedly tell and help preserve their own. While the amount of made-in-Hawaii documentary and narrative features was only slightly over […]
by Jason Sanders on Dec 20, 2017