In a recent edition of his ongoing online column “Movie Answer Man,” Roger Ebert was faced with the following reader-submitted query: “Since good movies can now be cheaply made, why aren’t we seeing more of the kind of arthouse films that were so influential in the ’60s and ’70s?” Ebert’s response, while relatively curt, was two-fold. “1.) It is very expensive to release, promote, and advertise any movie,” he began. Fair enough — as any independent filmmaker knows, simply getting your movie made is just one small initial hurdle…and as any viewer who watches contemporary independent films can sadly attest, […]
by Travis Crawford on Dec 16, 2010A feminist voice, maverick filmmaker, or just an egomaniac? Filmmaker Henry Jaglom has been called many things and all of them are explored in Henry-Alex Rubin and Jeremy Workman‘s brief (only 58 minutes) but entertaining documentary. Armed with his trademark hat, loose tongue and nonstop-running camera, Jaglom explores the inner psyche of his actors and the audience by filming the “reality” of the moment in his films, no matter how damaging it may become to who he’s filming. This style has led to comparisons to Cassavetes or Godard, and to some, a hack filmmaker with no talent. Using archival footage […]
by Jason Guerrasio on Mar 23, 2008