“We have to make artful films,” declared Tabitha Jackson at this morning’s DOC NYC keynote. Her thoughtful and engaging address — accompanied, half-jokingly, by what she dubbed her first attempt at Powerpoint — was filled not with statistics about audience reach or NGO partnerships but instead illustrations drawn from documentaries as well as poetry, visual art and experimental films. Indeed, this Director of the Sundance Documentary Film Program — one of the field’s most important funders — could not have been clearer about the direction she intends to bring to the program when she said, to applause, “The lingua franca […]
by Scott Macaulay on Nov 17, 2014