Powered by 
Haute Tension If you’re a regular reader of Filmmaker, you’ll recognize Travis Crawford‘s byline. He’s often in our pages writing about cutting-edge genre films, Asian auteurist work, and unclassifiable Euro arthouse pics. (See his feature on Bruno Dumont’s 29 Palms in our current issue.) But when he’s not writing for Filmmaker, Crawford is, among other things, programming the Philadelphia Film Festival‘s “Danger after Dark” program, the genre-section that allows him to cherrypick the best new titles as well as the essential works that have been on the fest circuit for the past year. Crawford is the king of the long, […]
by Scott Macaulay on Mar 4, 2004