Filmmaker webmaster Michael Medaglia is also a talented director; I really liked his short, Kitty, Kitty — an eerie piece of psychological horror that reminded me of early Cronenberg. Here’s how he describes it: Kitty, Kitty is a short film about love, cats and brain parasites. The disturbing short was inspired by Toxoplasmosis, a disease caused by a brain parasite that can change human behavior and is believe to affect up to a third of the world population. This weekend Medaglia released the film for free on VODO.net, a website that turns filesharing and torrents into a legitimate distribution avenue […]
by Scott Macaulay on Jun 14, 2011Any genre fan will tell you that when it comes to movie beasties, delayed gratification is key. It is considered classic good form to mount anticipation via quick glimpses of scales/fur/claws, or unnerving detritus left in the creature’s wake, all leading up to the spectacular fashion in which the monster will finally emerge. Rather than bend completely to convention, Trollhunter, with dry Scandinavian aplomb, breaks with this rule of horror suspense by having the grizzled titular character run out of the woods, shout “TROLL,” and cause his disbelieving companions to disperse chaotically amid earth-quaking snorts and stomps. The troll isn’t […]
by Farihah Zaman on Jun 10, 2011In so many ruined, dystopian futures, ravenous beings stalk the burned out countryside, praying on the flesh and/or blood of humans, while a small band of tough survivors, almost always including a grim professional killer, a protege and a young refugee, desperately try to escape this world overrun. This basic conceit resembles Jim Mickle’s somber, post-apocalyptic tone poem fashioned as a late night, grindhouse B movie, Stakeland, which proves altogether more satisfying than any of the recent cable and multiplex ready vampire narratives or dystopian dramas (The Road, Time of the Wolf, One Hundred Mornings or Children of Men). Despite […]
by Brandon Harris on Apr 20, 2011I like live tweeting panels if the panels hold up to the process, and yesterday’s “Directing the Dead 2,” here at SXSW, did. (The funny thing about live tweeting is that people entering mid-stream can become confused — as happened yesterday, I realized, as I tweeted Vikram Gandhi’s comments on religion at the Q&A for his Kumare. I’d write, “Ghandi” before his comments, and several people tweeted me Jesus quotes or passages from the Bible back.) The panelists were James Wan (Insidious), Simon Rumley (Little Deaths), Ben Wheatley (Kill List), Jacob Eisener (Hobo with a Shotgun), Nicolas Goldbart (Phase Seven), […]
by Scott Macaulay on Mar 15, 2011Despite their protestations to the contrary, festival programmers are often a competitive bunch, jostling for not only premieres but status. That’s why SXFantastic, now in its third year, is such a welcome event. A collaboration between SXSW and Fantastic Fest, which unspools its own main event in September, SXFantastic brings Fantastic’s genre smarts and midnight-movie acumen to the South By sprawl. The result is a focused section that has been producing its own fan favorites, critical hits and even industry acquisitions. Last year’s successes included Gareth Edwards’ Monsters and the unlikely pick-up A Serbian Film (which just landed the SITGES […]
by Scott Macaulay on Mar 9, 2011NBC Universal’s Short Cuts Film Festival is now accepting submissions for its 2010 edition. Previously known as “Comedy Short Cuts,” the festival, now in its 5th year, has expanded to include drama, horror, and sci-fi. The deadline for submissions is August 13th. Prizes for finalists include an opportunity to pitch NBC Digital Studios, and the winner will receive a pilot script deal with Universal Media Studios. The semi-finals of this bi-coastal fest will take place in New York in September 2010 and the finals will happen in Los Angeles on October 20. Learn how to submit your short here.
by Jaimie Stettin on Jun 9, 2010Part personal history remembrance, part time capsule of a place, part true crime thriller, Cropsey is an absorbing and terrifying piece of filmmaking. A rough hewn, nine years in the making feature directorial debut for narrative film producer turned documentarian Joshua Zeman and NYC Human Resources Administration’s Deputy Commissioner Barbara Brancaccio, it delves into the disappearances of several handicapped children in their native borough of Staten Island during the ’70s and ’80s. The filmmaker trace their distinctive childhood memories of the events as well as those of dozens of Staten Island residents who live on with this disturbing mystery, many unconvinced—even though […]
by Brandon Harris on Jun 2, 2010The most unlikely act of cultural excavation and redemption, Michael Paul Stephenson’s Best Worst Movie is a hilarious and poignant celebration of not only the communal experience of making and watching movies but the sheer randomness of life itself. The doc is Stephenson’s attempt to find out why a seemingly execrable B-movie he made as a child actor, Troll 2, has garnered a cult following of viewers who not only get off on its badness but also find an odd kind of joy in its screwy storytelling. While Stephenson is present in the film, he smartly chooses as the doc’s […]
by Scott Macaulay on May 12, 2010You could say that Bill Gunn was a man who came before his time, but that leaves you working under the flimsy assumption that a time more hospitable to this man of undeniable talents and mercurial preoccupations would some day come. If you don’t already know this is a weak proposition, you’re not paying attention to the tenor of the times we live in. One can be forgiven for being unable to relate to the struggles of an unorthodox black artist to find proper patrons and an appreciative audience I suppose. Still, it is better to say that Bill Gunn, […]
by Brandon Harris on Mar 31, 2010As a genre that’s all about keeping the audience on its toes, the horror movie naturally needs a regular injection of fresh talent, and writer-director Ti West is the latest to give it a shot in the arm. Born in Wilmington, Delaware, in 1980, West spent his adolescence watching as many movies as he could catch on TV or rent from his local video store. Though he made stop motion movies with his G.I. Joe action figures, he didn’t give much serious thought to filmmaking until he decided to make a short film to indicate to colleges that he had […]
by Nick Dawson on Oct 30, 2009