Shock value in cinema is a tricky thing, especially when it comes to posterity; what scandalizes one generation often seems mild to the next, while images and dialogue that might have seemed innocuous in another era – particularly when it comes to attitudes about race, gender, and sex – can come across as abhorrent to audiences discovering them in a different cultural context. Two genuinely transgressive films, movies that were shocking when they came out and are shocking now, are newly available in generously appointed Blu-ray editions: John Waters’ Multiple Maniacs (1970) and Takashi Miike’s Dead or Alive (1999). Waters […]
by Jim Hemphill on Apr 14, 2017If you think that DSLRs haven’t caught on for filmmakers in a big way yet, think again. Following up a series of Twitter posts by its director, the website Peta Pixel reports that the season finale of House has been shot on the Canon 5D. The site compiles director Greg Yaitanes’ tweets into an impromptu interview (a neat journalistic trick I will make a point to try sometime), including this summation of his experience: “i loved it and feel it’s the future. cameras that can give you these looks.” Check out Peta Pixel for the whole conversation. The episode airs […]
by Scott Macaulay on Apr 13, 2010