There’s an elephant at a circus in Manzhouli that sits and won’t move.“Perhaps some people keep stabbing it with forks,” Yu Cheng muses to his close friend’s wife, but the elephant still won’t budge. This is one of four characters whose lives eventually intersect en route to the seated behemoth. In the bleak mining city of the late writer/director Hu Bo’s slow epic An Elephant Sitting Still, people tend to linger as they’re being hurt too, in spite of the obvious exits that beckon them. Somewhere in the time it takes to endure this 230 minute trial of misanthropy, you […]
by A.E. Hunt on Apr 8, 2019“Through images of natural turmoil the viewer gets the idea that societal events are just as unavoidable as any flood disaster. Constantly receiving outbreaks of natural violence served up as news, the spectator automatically transfers natural laws of causality to human conditions and inevitably ends up mistaking the crisis of the capitalist system for a geological tremor.” — Siegfried Kracauer, “The Weekly Newsreel” in Die neue Rundschau 42, no. 2, October 1931 This year’s Berlinale was marked by two retroactively related occasions. The first one, celebrated by a retrospective, was the centenary of the Weimar Republic, that liminal space that historically divides […]
by Celluloid Liberation Front on Feb 27, 2018