“It is more important to observe and listen.” Despite the intense philosophical disposition many critics have discerned in the work of Taiwanese filmmaker Hou Hsiao-hsien, the 68-year-old filmmaker often seems very uninterested in the thematic choices behind his films. Instead, he often appeals to the tenet of cinematic realism. His work has been key in defining it in contemporary terms — a use of long takes and master shots with subtle changes in both camera and performances while avoiding traditional narrative exposition. More than that, Hou’s films have depended on accurate historical locations and details, all expounding on the history […]