Ciro Guerra’s third feature Embrace of the Serpent is bracing for the novelty of its setting alone: a feature hasn’t been made in the Colombian Amazon region for 30something years. Without leaning solely on novelty value or simplistic exoticism, Embrace tells two stories. One, set in the early 20th century, is of Theodor Koch-Grunberg (Bivjoet), a real German ethnologist/explorer; at the story’s outset, he’s gravely ill and needs the help of solitary warrior Karamakate (Nilbio Torres) to find a rare plant that can cure him. Another story, some 40 or 50 years later, finds older Karamakate (Antonio Bolívar) guiding Richard Evans Schultes (Brionne Davis), another […]
by Vadim Rizov on Feb 16, 2016Besides providing much-needed visibility and prestige, film festivals are also marketplaces and training venues, in which first- or second-time filmmakers can gain valuable entrepreneurial guidance. This is of particular importance considering that a film’s heaviest production costs are incurred after it has been shot. Indeed, while shooting a film has arguably never been cheaper or easier, filmmakers still face numerous obstacles when it comes to actually getting their work viewed. Editing, color-correction, subtitling, grading and mixing — but also pitching, marketing, selling: these form the practical difference between a film acquiring some kind of shelf life and disappearing before it has […]
by Michael Pattison on Nov 2, 2015