Online video’s come a long way in the seven-and-a-half years since the launch of YouTube, but it’s no secret that the landscape’s still constantly changing for filmmakers, both independents and studios. The big question, still, is how to best monetize online viewing, as a few recent developments have illustrated. Karin Chien has a great piece in the current issue of Filmmaker (available for subscribers here) about how some YouTube stars have built up massive audiences that have, in turn, supported them financially and empowered them to deal with Hollywood on favorable terms. But we all know that going viral can […]
by Randy Astle on Nov 23, 2012Today we, along with seemingly everyone else in the film blogosphere, announced Criterion’s exclusive deal with Hulu, which will see some 800 Criterion titles stream to viewers on the Hulu Plus service. And, like everyone else, we had to add a small update when we realized that Hulu’s gain is Netflix’s loss. The Criterion titles we Netflix subscribers are used to watching (just last week, for example, I saw Agnes Varda’s Cleo from Five to Seven) will soon be leaving the service. Over at Hulu, Criterion President Peter Becker launches a blog with this declaration of love for the label’s […]
by Scott Macaulay on Feb 15, 2011Beginning today The Criterion Collection has made available over 150 titles from its library on Hulu’s paid service, Hulu Plus. Known best as a destination for streaming the latest in popular TV series (as well as full runs of some TV shows), with the Criterion deal (only available in the U.S.) Hulu is trying to grab the attention of movie buffs, while keeping pace with it’s biggest competitor, Netflix. UPDATE: A spokesperson for Criterion confirms that Hulu will exclusively stream Criterion titles by year’s end. With today’s launch you can stream some of the Criterion essentials: The 400 Blows, The […]
by Jason Guerrasio on Feb 15, 2011