The Young Karl Marx is the latest film from Raoul Peck, a filmmaker who still believes in the intelligence of the audience. It’s his first film since his incredible success with the Oscar-nominated I Am Not Your Negro, about James Baldwin. Like so many radical filmmakers he has found acclaim when he has been able to marry his own political beliefs and curiosity with society’s infatuation with celebrity. The film on Baldwin came at the right time and struck a chord at a moment when #BlackLivesMatter entered the public consciousness and the realisation that the election of an African-American president […]
by Kaleem Aftab on Mar 5, 2018This is the third and final part of coverage of DOC NYC’s Marketing Boot Camp. (Read parts one and two here at the links.) Christie Marchese of Picture Motion, a marketing and advocacy firm for issue-driven films (Leonardo DiCaprio’s Before the Flood, Ava DuVernay’s 13TH, and Michael Moore’s Where to Invade Next), gave a presentation on developing social action and grassroots marketing campaigns. She made the point that grassroots marketing and impact campaigns are two different things: grassroots marketing targets audiences who are pre-disposed to be interested in your film. Impact campaigns are geared toward those who aren’t organically interested. […]
by Audrey Ewell on Apr 24, 2017“Truth is stranger than fiction,” as the maxim goes, and that was certainly the case in 2016. Following the election of Donald Trump, the fictional dystopian worlds of The Hunger Games, Westworld, and Black Mirror suddenly seemed pointedly realistic, and our new reality felt mighty strange. Some of the year’s most powerful nonfiction films, including Ava DuVernay’s 13th, Dawn Porter’s Trapped, and Raoul Peck’s I Am Not Your Negro, took on new urgency as civil rights and reproductive rights increasingly came under fire. By intercutting scenes of Trump supporters physically assaulting African-Americans at his rallies with scenes of whites threatening black people during the civil rights movement […]
by Paula Bernstein on Dec 29, 2016