Just released is the line-up for this year’s Independent Film Week, which will take place next month in New York, from September 16 to 20 at Lincoln Center. Announced today for IFP’s centerpiece event of the year are both the industry events and the 165 projects which have been invited to participate in 2012’s Project Forum. A complete list of the projects can be found here, while on the industry side there are such new initiatives as the IFP Producer of Marketing & Distribution Labs and a joint event of IFP and Filmmaker magazine, “REINVENT: Media Arts for the 21st […]
by Nick Dawson on Aug 10, 2012Last night I moderated an IFP panel at DCTV, co-sponsored by the New York Television Festival, on transitioning from film to TV. It consisted of two TV execs — Colleen Conway (VP of Reality and Alternative Programming, Lifetime Networks) and Erin Keating (Director of Development & Production, IFC TV) — and one filmmaker, Alrick Brown. Filmmaker readers will be familiar with Brown as he was one of our 2011 25 New Faces and won an Audience Award at Sundance for his debut feature, Kinyarwanda. Brown recently broke into television by directing an episode of the upcoming ABC documentary crime series, […]
by Scott Macaulay on Jun 6, 2012Is there anything worse than some other guy going on about the weather? When Angelenos extoll their perpetually sunny climes, it always feels a bit like a reproach to those who live anywhere else. Pacific Northwesterners discuss their persistent rain quietly, as if wearing some old war medal. But journalists in Cannes? What do readers feel when reading reports of how cold and soggy it is in the south of France? Sympathy? Schadenfreude? Or perhaps just disinterest? Despite my suspicion that it is the latter, I still have to go there because, yes, the rain has been the most notable […]
by Scott Macaulay on May 22, 2012This morning, the Independent Filmmaker Project (IFP) announced the 10 films selected to participate in its 2012 IFP Documentary Lab, which takes place all this week in New York City. The slate for this eighth edition of the doc labs is very geographically diverse, with participants hailing from Washington, Kentucky and Berlin in addition to the usual indie strongholds of Los Angeles and New York City. Each year, 20 indie films with budgets under $1 million — 10 documentary and 10 narrative — are selected for participation in the IFP post-production labs, which gives filmmakers strategic help and guidance regarding […]
by Nick Dawson on May 14, 2012The IFP’s popular conference for writers and writer/directors, Script to Screen, returns to the 92nd St. Y Tribeca on Saturday, March 17 with a program that promises to mix practical advice with freewheeling programs intended to generate creative sparks. The day’s program features a keynote presentation by Bennett Miller, the Oscar-nominated director of Moneyball and Capote, and a Screenwriter’s Roundtable featuring up-and-coming auteurs Ry Russo-Young (Nobody Walks), Leslye Headland (Bachelorette), Madeline Olnek (Codependent Lesbian Space Alien Seeks Same) and Liza Johnson (Return). As a promising change of pace from traditional panels, Script to Screen also features a pair of interactive […]
by Scott Macaulay on Mar 5, 2012If there is one industry report that you absolutely must read this year it is Digital Dilemma 2: Perspectives from Independent Filmmakers, Documentarians and Nonprofit Audiovisual Archives, from the Motion Picture Academy’s Science and Technology Council. The study was conducted with the assistance of Filmmaker as well as the IFP, Film Independent, and many other organizations and individual makers. Its message is short and simple: “Most of the filmmakers surveyed for this report have given little thought to what happens to their work once it is completed. … [F]ew store their film masters in proper environmental conditions or manage their digital […]
by David Rosen on Feb 3, 2012The IFP’s unique Independent Filmmaker Labs are now accepting applications for the 2012 programs. The Labs, which consist of year-round mentorship for first-time filmmakers along with focused seminar and instruction weeks, have recently seen alumni success at Sundance (Terrence Nance’s An Oversimplification of Her Beauty), Slamdance (Keith Miller’s Grand Prize winner Welcome to Pine Hill), in theaters (Dee Rees’s Pariah) and, upcoming, at Berlin (Lucy Mulloy’s Una Noche), SXSW (Matt Ruskin’s Competition title, Booster), and on TV (the POV screening of Michael Collins’ Give Up Tomorrow). From IFP: IFP’s unique year-long mentorship program supports first-time feature directors when they need […]
by Scott Macaulay on Feb 3, 2012Over at IFP, filmmaker and comedian Adam Bowers has a hilarious new blog entry entitled “Why Filmmakers Don’t Need Money.” In the post, Bowers argues that poverty breeds creativity. As he writes: “Think about it: when do filmmakers make their best movies? When they’re at their most miserable and desperate. Raging Bull pulled Scorsese out of his biggest career slump, and Beethoven’s 4th saved David Mickey Evans after the disastrous Beethoven’s 3rd, which obviously suffered from too many studio notes (“Can we have him destroy FEWER dining rooms?” What idiots!). So, if you really want to help a filmmaker create […]
by Jane Schoenbrun on Jan 25, 2012The following statement was issued by Joana Vicente, Executive Director of the IFP: The board of directors and the staff of the IFP are shocked and extremely saddened by the death of indie veteran Bingham Ray. Bingham was a stalwart champion of independent film throughout his lifetime. He was an honorary board member of the IFP and was honored with a career tribute at the 2002 Gotham Awards. Bingham brought the independent film community together and always reminded us of the highest standards we should pursue as filmmakers with vision. He was not only an extraordinarily passionate figure, with an […]
by Scott Macaulay on Jan 23, 2012Dylan Marchetti, founder of Variance Films, donated his afternoon Wednesday to mentoring filmmakers at IFP’s Marketing & Distribution Labs. Variance, a distribution company that has overseen the releases of niche indies and foreign imports like Guy and Madeline on a Park Bench, Littlerock, and Elite Squad: The Enemy Within, has built a reputation very much in line with the trailblazing, DIY-attitude that many of IFP’s lab filmmakers hold dear. And it was a great match, as Marchetti spent the afternoon listening to these filmmakers discuss their marketing and distribution strategies, offering tailored advice about the distribution paths that he felt […]
by Jane Schoenbrun on Dec 13, 2011