The following conversation between directors Quentin Tarantino and Alexandre Rockwell was published in Filmmaker‘s Winter, 1993 issue, as these films hit commercial release. It is being reprinted today, as Reservoir Dogs celebrates the 30th anniversary of its premiere at the 1992 Sundance Film Festival. Friendship, loyalty, and honor–all are classic film themes which, ironically, can sometimes be hard qualities to find in the world of filmmaking. For every film that beats the odds and manages to get made, independent or otherwise, there are a hundred shattered deals, broken promises, and crushed filmmakers left in the shadows. This year two filmmakers […]
by Scott Macaulay on Jan 24, 2022This year marks the 25th anniversary of Alexandre Rockwell‘s landmark indie In The Soup, which is currently crowdraising funds for a badly needed restoration and re-release. We’re happy to share this interview with Rockwell, conducted by Factory 25’s Matt Grady. Click here to learn more and check out the Kickstarter campaign, and here for a video interview for more from Rockwell. What’s so unique about how you made In the Soup? One of the most defining things about In the Soup is its look. The stellar cinematography of Phil Parmet comes across in a rich, high-contrast look, deeply saturated blacks and brilliant […]
by Filmmaker Staff on Aug 1, 2017Leading up to our 18th birthday, I’ll be revisiting on the blog one issue of Filmmaker a day. Below is Winter, 1993. In our second issue of Filmmaker, attorney Robert Siegel interviewed Steven Starr, former head of the motion picture department at William Morris who left the agency to produce Tom DeCillo’s Johnny Suede (the first motion picture to star Brad Pitt) and direct his first feature, Joey Breaker. (Subsequently, Starr launched the web video site Revver and produced the documentary FLOW.) Peter Broderick interviewed Alex Cox, and I wrote the cover story on Abel Ferrara’s Bad Lieutenant, interviewing Ferrara, […]
by Scott Macaulay on Aug 3, 2010