Looking @ Docs Bookended by two of the world’s most prestigious film festivals, the super-gala in Toronto and the cinephile delight in New York, the Woodstock Film Festival is set in a tiny village on the edge of the Catskill Mountains, and for a dozen years it has been garnering a different kind of prestige. With a quality film program that’s not humongous, filmgoers experience fewer film scheduling conflicts — a frequent irritant for film buffs. With plenty of film industry people in attendance, looking and enjoying instead of working and stressing, they’re approachable, even friendly. People have always come […]
by Stewart Nusbaumer on Sep 27, 2011One of the problems independent filmmakers have faced in the last decade has been the studio’s co-option of the specialty film genre. Acquistions have dropped as the mini-majors have set out to make, with bigger budgets, better production values, and real stars, the kinds of quirky character-based stories that in the ’80s and ’90s were largely the province of independent filmmakers. A particularly cruel example of this trend was driven home by a press release, excerpted below, I received from CineKink, an organization devoted to “the recognition and encouragement of kink-positive depictions in film and television.” In order, I guess, […]
by Scott Macaulay on Nov 5, 2004It’s pretty unusual to wake up in the morning and read entertainment industry news detailing benefits specifically targeted towards independent filmmakers. But that’s what this (subscription-only) Variety piece does as it explains provisions in the just-signed American Jobs Creation Act of 2004 that make it more advantageous for investors to invest in independent film. Writes Susan Crabtree and Ian Mohr, “After years of lobbying, independent filmmakers scored a major victory Friday when President Bush signed a bill that gives a sweeping tax break to movies made in the U.S. Producers believe the measure may draw substantial fresh funds into indie […]
by Scott Macaulay on Oct 25, 2004