Second #2867, 47:47 For the first time since Frank’s prolonged assault on Dorothy, the camera has shifted perspective, freeing us from Jeffrey’s gaze. A new space opens up, one that has not been revealed entirely before, with the kitchen in the implied space behind the camera, and the dark, cave-like shadow of the apartment door area occupying the frame’s center. Jeffrey—still in his black socks, humanized—crawls toward Dorothy who will, when he caresses her head, jolt as if bitten by a snake. The implication is that she is still enmeshed in Frank’s world, even though he is no longer physically […]
by Nicholas Rombes on Jan 2, 2012