How do you interview the filmmaker whose work has meant more to you than any others’? Paul Thomas Anderson is, for me, the best and most important director of his generation, the only person I know of who not only invites but actually earns comparison with Martin Scorsese. Like Scorsese, Anderson is a voracious film scholar whose movies both honor traditions and shatter them; also like Scorsese, he’s a committed chronicler of 20th-century American history whose perspective is consistently deeper, broader, and more original than just about anyone else’s. He’s also the best director of actors since Elia Kazan – […]
by Jim Hemphill on Dec 11, 2014(Without any fanfare, Margaret was released theatrically by Fox Searchlight on Friday, September 30, 2011. Visit the film’s official website to learn more.) Oh boy. Oh wow. If your idea of a rewarding time at the movies is a symphonic drama that aches with the blood, sweat and tears of real life while simultaneously upholding the finest traditions of opera, of theater, of poetry, of literature, look no further than Kenneth Lonergan’s Margaret. Much has been written about the unfortunate legal brouhaha surrounding the film’s post-production — it was shot in 2005 while here we are twiddling our thumbs in […]
by Michael Tully on Oct 13, 2011