We are filmmakers. We are artisans. Or so we forget. With filmmaking so often abstracted from the actual work of making a film, so enmeshed in conversations about new models and plans and strategies, we sometimes lose touch with what should be the main reason we make movies in the first place: to take pride in works of art made beautifully and with love. It is precisely the love of artisanal creation that is celebrated in Jeffrey Kusama-Hinte’s Charlotte: A Wooden Boat Story, a verite doc chronicling the making of a 50-foot gaff rigged schooner, “Charlotte,” by a team of […]
by Scott Macaulay on Feb 20, 2012Mark Litwak has great excerpt from his book Risky Business on his Entertainment Law Newsletter today dealing with default by distributors. He begins: Many years ago I represented a filmmaker who entered into an agreement with a small home-video distributor. The company had a decent reputation, and since there were no other offers for this $80,000 movie, a deal was struck. The filmmaker was promised a $40,000 advance for U.S. home video rights. The advance was payable in four installments over the course of a year. After the second installment was received, the distributor was acquired. The new owners stopped […]
by Scott Macaulay on Jul 7, 2010