In Jeff Malmberg’s 2010 Spirit Award-winning documentary Marwencol, an artist constructs a one-sixth scale imaginary town, populated with miniatures, that is both his creative project and therapeutic enterprise; it’s through this work that he processes a violent attack that left him near-dead and brain-damaged. For the new Spettacolo, Malmberg, this time directing with filmmaker Chris Shellen, has focused on another individual for whom the world is a stage. Here, however, the scope is larger as theater director Andrea Cresti gathers each year the citizens of his small town in Tuscany to make a play based on their lives and histories. […]
by Scott Macaulay on Mar 11, 2017“Don’t make your festival premiere your first test screening,” I always say to the filmmakers who take the IFP Narrative Lab. It’s sounds basic, but you’d be surprised at how many filmmakers I’ve come across who never properly screen their cuts with an audience before taking them out into the world. In this final episode of The New Breed‘s series on filmmakers and their creative process shot at the Los Angeles Film Festival, Marwencol director Jeff Malmberg and producer Ted Hope discuss their late-edit screening processes. Thanks to Zak Forsman and Kevin Shah of Sabi Pictures and to the Workbook […]
by Scott Macaulay on Aug 9, 2010The 36th Seattle International Film Festival end this weekend with audiences flocking to the 25 day fest as nearly 20% increase from last year. From May 20-June 13, the festival had shown 408 films. The awards ranged from the audience-selected Golden Space Needle Awards; the five juried Competition Awards, as well as the FIPRESCI Award for Best American Film. Borys Lankosz‘s The Reverse won the narrative Grand Jury Prizee , while Marwencol, directed by Jeff Malmberg, took home the doc Grand Jury Prize. The winners of the Jury and Audience Awards are below. SIFF 2010 Best New Director Grand Jury […]
by Filmmaker Staff on Jun 14, 2010Mark Hogencamp was an illustrator living in Kingston, NY, and one night in 2000, he walked out of a bar and was followed by a group of teenagers who beat him mercilessly and left him for dead. Hogencamp was in a coma for nine days, suffered massive brain damage, and lost most of his memory and ability to move and write. Unable to afford therapy, he came up with his own: Marwencol. A 1/6 scale World War II-era town set someplace in Belgium, Marwencol’s inhabitants are dolls painstakingly painted and clothed by Mark, most representing a person from his real […]
by Jason Guerrasio on Mar 10, 2010