Filmmaker

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Jim Thompson

Criterion: The Killing

It’s extremely difficult to type the words “my favorite Kubrick film” because I honestly feel I could put that down while writing about any of them. But what I can say about Stanley Kubrick’s Hollywood calling card The Killing is it’s the one film of his that I’m most nostalgic about. Film noir. Jim Thompson’s words. Sterling Hayden’s “when men were men” bravado. The contract studio picture was on the way out and the New Hollywood of Bogdanovich, Ashby and Nichols were breaking down the doors. But before that (and likely escalating the emergence of New Hollywood) there was Kubrick. […]
by Jason Guerrasio on Aug 16, 2011

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