Thirty years ago this month, director Mark L. Lester changed the course of action cinema forever when he solidified Arnold Schwarzenegger’s persona in the gloriously excessive Commando. Schwarzenegger was already a star thanks to the Conans and The Terminator, but Commando is the film that established the identity he would revisit in film after film – and that introduced the “bigger is better” combination of exaggerated action and comedy that producer Joel Silver would apply to his Lethal Weapon, Die Hard, and Predator series, among many other pictures. Those movies would be heavily influenced by Commando’s vivid palette and precise attention […]
by Jim Hemphill on Oct 1, 2015Here are some links that caught my eye this week. The Workbook Project has a new Transmedia Talk Podcast. Topics include “The Web is Dead,” Foursquare, and the Transmedia panels at SXSW 2011. Also at the Workbook Project, Mark Harris on why he shot his forthcoming The Lost Children fiction feature as a doc. Sarah Kessler at Mashable: “New Neutrality — Seven Worst-Case Scenarios.” There’s been a lot of interest in NYC writer Tao Lin over at The Rumpus. I haven’t read him, so I can’t comment. But here’s an intro at Salon that also discusses the new ways he’s […]
by Scott Macaulay on Aug 29, 2010