In the early 1980s, the Ghanaian-British artist John Akomfrah became a founder member of the innovative, seven-strong Black Audio Film Collective, who curated programs of avant-garde world cinema and made their own work using slide-tape texts, film, and video. Their serious-minded, multifaceted output, much of which was directed by Akomfrah, alighted on subjects from the causes of race-related inner-city U.K. unrest and its media representation (Handsworth Songs) to the origins of Afrofuturism (The Last Angel of History). The group disbanded in 1998, but Akomfrah has since operated extensively across film, television, and galleries, often in collaboration with former BAFC members. […]
by Ashley Clark on Jul 18, 2016[PREMIERE SCREENING: Friday, Jan. 18, 3:00pm — Yarrow Hotel Theatre, Park City] In making this film, I sacrificed time and plenty of sleep! The organizational nightmare that comes with working almost exclusively with archive has provided its own set of challenges. Creating a whole new working practice for myself and the team these past few films – and by that I mean the migration away from what we all as filmmakers would understand to be the daily routine, the broadly known elements of documentary making – has been tough. Watching thousands of hours or archive and selecting the material was […]
by Filmmaker Staff on Jan 17, 2013