Read just a sample of Juliette Binoche’s credits — Mauvais Sang, Three Colors: Blue, Damage, The English Patient, Chocolat, Certified Copy, Clouds of Sils Maria, Let The Sunshine In — and one thing becomes clear: few actors have been as internationally respected for such a sustained period of time. In this episode, she speaks about the importance of acting from the body and learning to use “sensation” as a starting point. She tells a story about feeling lost on the set of John Boorman’s In My Country, and what set her free should be a lesson to all directors. She […]
by Peter Rinaldi on Jul 5, 2022English filmmaker John Boorman returned to Cannes this year with Queen and Country, his autobiographical sequel to Hope and Glory. At 81 years old, Boorman claims this is his very last movie, and after such an illustrious career — with films including Point Blank, Deliverance, Excalibur, and The Emerald Forest — he ends on a very high note. In 1952, young Bill Rohan (Callum Turner) must leave his idyllic countryside home on the River Thames for two years’ Army conscription. Rather than being shipped out to fight the Chinese in the Korean War, Bill is enlisted with his friend Percy (Caleb […]
by Ariston Anderson on Jun 2, 2014Peter Suschitzky has photographed films for John Boorman, Ken Russell and most notably David Cronenberg, but the 72-year-old d.p. still prepares each film with the written word. “It begins with a careful reading of the screenplay,” he says in a polite English accent over the phone from London, “trying to get a feel for, subconsciously, what’s in that script.” Suschitzky is giving interviews to promote, Evolution, TIFF’s celebration of hometown boy and horror master, Cronenberg. Evolution launches Hallowe’en week at the TIFF Bell Lightbox in downtown Toronto with a multimedia exhibition of celebrating Cronenberg’s five-decade career that began long before […]
by Allan Tong on Oct 31, 2013Over the years, many friends and colleagues had mentioned the cinephile haven that is Telluride, but I was either too busy or too far to make the trip to the mountain tops. Finally I caved in to the (positive) peer pressure and applied to be a volunteer for the 39th Telluride Film festival over Labor Day. The deal is simple: work 40 hours over 4 days and you will eat for free, see incredible films and probably get hooked for the rest of your life. Enticing. Telluride is not easy to get to: you will need multiple connecting flights, an […]
by Camille Bertrand on Sep 1, 2012