Between the Temples, co-written by C. Mason Wells and director Nathan Silver, follows a spiritually conflicted cantor (Jason Schwartzman) who finds his faith somewhat revitalized when his grade school music teacher (Carol Kane) enrolls as his latest adult bat mitzvah student. Editor John Magary discusses how he approached cutting Between the Temples, particularly when it came to navigating the film’s heavy use of improv. See all responses to our annual Sundance editor questionnaire here. Filmmaker: How and why did you wind up being the editor of your film? What were the factors and attributes that led to your being hired […]
by Filmmaker Staff on Jan 24, 2024Mynette Louie, president of Gamechanger Films, recently had a problem. She caught a stand-in on set not only taking photos of her film’s star, whose contract had specific photo approvals in place, but posting the photos to Facebook. “I told him to delete them from his Facebook, then I went through his phone and deleted all the photos he took on set.” Traditionally, producers, marketing departments and publicists labor over key stills and publicity images, methodically crafting a film’s identity in careful, strategic installments. This practice continues today, but can quickly be subverted by a tweet, post or status update. […]
by John Van Wyck on Jan 20, 2016[Editor’s note: The Mend writer/director John Magary has written for Filmmaker before in a critical capacity. Today he contributes an essay about the making of his debut feature, with bonus oral history appended. For information on playdates, click here.] “This movie…it’s a quilt!” — Russell Harbaugh, exiled roommate Over about five weeks in September and October of 2013, an unusually sustained period of bright and pleasant weather, we shot The Mend in New York City. The idea early on, before the first index card was pinned up, was to make something makeable. “Makeable” is a funny word, an aspirational spin on “possible,” […]
by John Magary on Aug 20, 2015Hilarious, confrontational and compellingly disorienting, John Magary’s The Mend is one of the most striking independent films of the past couple of years. A SXSW ’14 standout, it reaches theaters this week with a run at the IFC Center in New York. Check out the trailer for this comedy of dysfunctional siblings and lost weekends, and return later this week for more on the film.
by Scott Macaulay on Aug 15, 2015