Although the COVID-19 pandemic delayed its release for over one year, Nia DaCosta’s Candyman is finally in theaters and already the subject of intense debate. The film, a sequel to the 1992 original directed by Bernard Rose and starring Tony Todd and Virgina Madsen, certainly invites difficult discussions to be had, and that’s before you even factor in its relation to the brutal events of 2020 that unfolded after the movie wrapped production. A tragedy told on a grand, horrific scale, this new spin on Candyman is as American as apple pie. Set decades after the events of the original, […]
by Erik Luers on Aug 27, 2021In Jordan Peele’s Us, a middle class family returns home from a day at the beach to find themselves under siege by murderous doppelgängers clad in red jumpsuits and wielding scissors. Instead of leaning primarily on face replacements, compositing and other post production tricks, cinematographer Mike Gioulakis emphasized clever camera placement and the use of doubles to create the illusion of Lupita Nyong’o and her clan battling their alter egos. With Us hitting Blu-ray and other home entertainment platforms last week, Gioulakis walked Filmmaker through some of the film’s most memorable shots. Filmmaker: Since we spoke for It Follows, you’ve shot two M. Night […]
by Matt Mulcahey on Jun 24, 2019“When I started to write this film, I set out to make a movie that would be my favorite movie that I’d never seen,” said Jordan Peele when accepting his Best Screenplay Gotham Award for Get Out from the legendary Lois Smith (nominated for Best Actress for Marjorie Prime) and The Florida Project‘s Brooklynn Prince. “I didn’t know that it would ever actually get made.” Peele returned to the stage later in the night when the breakout horror film also picked up the Bingham Ray Breakthrough Director Award and Audience Award. “It’s so important that we support these voices from the outside, […]
by Filmmaker Staff on Nov 28, 2017Sometimes you have to go where the market pushes you. And after nearly twenty years behind the camera, the market suddenly wants Toby Oliver to shoot horror films. The Australian cinematographer lensed three fright flicks last year alone, all for the low-budget genre juggernaut Blumhouse. He’s practically become Blumhouse’s version of Hammer’s in-house DP Jack Asher. The most recent of Oliver’s horror efforts to hit screens is Get Out, a Guess Who’s Coming to Dinner?/Stepford Wives hybrid in which black New York photographer Chris (Daniel Kaluuya) travels upstate to meet his white girlfriend’s family (Allison Williams and parents Catherine Keener and […]
by Matt Mulcahey on Apr 7, 2017