When I asked where the most film-related location for our photoshoot might be, director Kate Barker-Froyland suggested that we meet in Williamsburg. Her feature debut, Song One, starring Anne Hathaway, is a film about the love of music which weaves its story through Brooklyn and lower Manhattan, which are areas that Barker-Froyland herself frequents often. We met for breakfast at the Reynard Restaurant in the Wythe Hotel on an assaultingly cold winter’s morning. Still, Barker-Froyland was upbeat and ready to take to the city streets in just her sundress, wind chill notwithstanding, to get the right shot. While most filmmakers […]
by Danielle Lurie on Jan 21, 2014Music in cinema continually captivates audiences. Scores and soundtracks can become as renowned as a film itself and play a large part in an audience’s emotional engagement with a movie. Awards are distributed honoring Best Original Song, Best Original Music Score, Best Film Music, and Best Music Direction at multiple film festivals and award ceremonies. But music has also always been a fascinating subject for movies as well. Struggling musicians to sensational bands, and everyone in between, have been captured in film. The Sundance Film Festival is often the first venue at which these movies premiere, and this year is […]
by Alexandra Byer on Jan 20, 2014Attention, our audience’s and our own — it’s a valued commodity these days. We struggle to command our audience’s attention, for them to discover our work and then, once they’ve discovered it, to actually focus on it. Meanwhile, we struggle to focus our own attention, to fight our society’s weapons of mass distraction so we can not just see our work to completion but fully discover the meanings within it. What role does attention play in your work? Can you discuss an instance where you thought about some aspect of attention when it came to your film? The idea of […]
by Filmmaker Staff on Jan 19, 2014One thing I’ve been thinking a lot about since the Emerging Visions program is how different everyone’s path is to making every single one of their movies. Whether it’s your first one or your 15th, it’s always going to be a unique process. And even though each experience of making a film helps you build on your next film, each film is in a way like starting from scratch. All the writers, directors, and producers I met and listened to during Emerging Visions had something in common and that was their in-it-for-the-long-haul passion and their commitment to making each and […]
by Kate Barker-Froyland on Oct 15, 2011