In early July, a cohort of over a dozen filmmakers and artists gathered in the International Documentary Association’s sun-drenched conference room. Some had flown in from as far away as the UK and Serbia, others were local to LA. A number—perhaps most of them—weren’t exactly sure what was in store for them at the weekend-long Experimental Realities event. Or even why exactly they were there. I asked the event organizers how members of the impressive group — who included Greg de Cuir Jr., Alison Nguyen, and Mark Mushiva — were selected. “This is funny because the participants have been asking […]
by Joanne McNeil on Aug 22, 2023American film studies and production programs are undergoing a major structural overhaul. A long-burgeoning movement comprised of academics and filmmakers are calling for the full decolonization of syllabi and cinematic offerings within these courses, which have historically foregrounded work by straight, white men as the pinnacle of what’s worth studying and emulating. Many academics and scholars hesitate to use the term “decolonize” broadly for fear of rendering it into a tepid buzzword (or worse, deflating the term to a borderline-meaningless liberal t-shirt slogan), yet it’s become an essential framework for many who wish to make meaningful changes within the confines […]
by Natalia Keogan on Jul 12, 2021