When Ken Kwapis was a cinema student at USC, he ran the school’s film society and programmed retrospectives that enabled him to not only study the classics but also to meet several of the directors who made them – among his guests were Orson Welles, John Cassavetes, and Don Siegel. The experience clearly influenced Kwapis when he became a director himself, as he forged a career similar to that of many of the filmmakers of the classical studio era, albeit without the same corporate support system. Like a Michael Curtiz or Victor Fleming, Kwapis employs a self-effacing style and often […]
by Jim Hemphill on Sep 2, 2015What fear — whether it’s personal, or one related to the development, financing, production or distribution of your film — did you have to confront and conquer in the making of your movie? Like many directors, writers, and actors, I have a persistent fear of being “found out,” of being exposed as a faker, a phony. The logical side of my brain knows differently: I’m well aware that I have certain skills — a modicum of talent, even! But in my dreams, I often find myself directing a film or television show with absolutely no clue what I’m doing. A recurrent nightmare […]
by Filmmaker Staff on Jan 29, 2015