Since Joe Swanberg’s first feature film, Kissing on the Mouth, premiered at SXSW in 2005, he’s managed to make at least a feature a year, multiple web-series, and found regular launch-pads at SXSW and IFC Films. When Swanberg directs a film, he really functions as a craftsman of the entire work: while he eschews screenplays in favor of improvisation, he works as cinematographer, editor, and usually acts in the film. As the nexus of a low-budget film movement stressing honesty, stories chronicling the lives of people in their twenties, and improvisation (this movement begins with an “M,” ends with “core,” […]
by James Ponsoldt on Jan 23, 2011On the night the latest edition of the Sundance Film Festival kicked off, I was approached by a man in a beat-up looking bubble coat and slacks three thousand miles away in a Crown Heights, Brooklyn laundromat. He extended his hand, in which he was holding six plastic sheets with DVDs in them, and tersely said, “Movies.” I looked down at the half-a-dozen bootleg discs in his hand, most of which were sequels to “urban” thrillers I had never heard of in the first place. “I’m good,” I brusquely whispered, causing him to saunter off into the fluorescent hum and […]
by Brandon Harris on Jan 22, 2011MARK DUPLASS AND GRETA GERWIG IN JOE SWANBERG’S HANNAH TAKES THE STAIRS. COURTESY IFC FIRST TAKE. Whatever the merits or otherwise of the “mumblecore” tag, one positive thing it has certainly done is help bring deserved attention to filmmakers like Joe Swanberg. The precocious 25-year-old was born in Detroit, but moved around as a kid before attending Southern Illinois University Carbondale, where he studied film. After graduation, he used money he had made from web design work to fund his first feature, Kissing on the Mouth (2005), which played at the SXSW Film Festival at the time the concept of […]
by Nick Dawson on Aug 22, 2007