Stunning black-and-white photos of movie theaters — old-style palaces and tacky multiplexes alike — sit underneath the credits of The Canyons, the 18th feature from veteran director and screenwriter Paul Schrader. Except rather than evoke the majesty of the 20th century’s dominant art form, they depict its collapse. These theaters are guttered, wrecked, their seats torn out, signage empty, neon fixtures torn and dangling from the ceilings. Some of these theaters — vintage single-screen Art Deco houses — are surely no longer viable in the modern era. The demise of the pictured strip-mall multiplexes, however, is most likely the product […]
by Scott Macaulay on Jul 18, 2013We sent the Fall issue of Filmmaker magazine to the printer last night, and in my Editor’s Letter I riffed on Paul Schrader, who appeared in both our first issue of the magazine as well as its tenth anniversary. The issue you’ll receive in the mail and see on newsstands shortly is our 20th Anniversary issue, and while it doesn’t contain an interview with Schrader, I wrote that it might just as well have. That’s because, once more, he’s reinventing himself, completing a journey that led him from ’70s Hollywood screenwriter to DIY independent filmmaker. That said, the trailer for […]
by Scott Macaulay on Oct 9, 2012It was only later that I discovered that I had been charged admission to Machete as a “student.” I am not one, and haven’t been for many, many years. I was glad not only because it saved me two dollars, but also because I didn’t have to resort to the Harvey Korman moment near the end of Blazing Saddles, when he cuts in line to buy a ticket for the film itself, pulls out an I.D., holds it up with a skeptical smile and asks the ticket lady, “Student?” to which she replies flatly, “Are you kidding?” At 9:30 on […]
by Nicholas Rombes on Sep 28, 2010Cinco de Mayo trailer:
by Scott Macaulay on May 5, 2010