louis garrel
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TIFF 2018 Critic’s Notebook 5: Her Smell, Rojo, A Faithful Man
World premieres x3, appraised in greater haste (and mercifully smaller word counts) than usual, starting with this morning’s viewing. I woke up to a slew of tweets saying that the first half of Alex Ross Perry’s Her Smell is an impossibly testing experience that dares audiences to walk out; now that I’ve seen it, it appears people have a remarkably low tolerance for abrasion. Five real-time scenes tracking the disastrous, inevitable rock bottom and sort-of rebirth of ’90s riot/it-grrl-turned-serious-hot-mess Becky Something (Elisabeth Moss), Her Smell strays noticeably outside of ARP’s normal comfort zone, in which people are reflexively, casually bruising and vicious to […]
by Vadim Rizov on Sep 10, 2018 -
A Conversation with Philippe Garrel (Part 1)
Explaining why Philippe Garrel is one of my favorite working directors can be difficult. Talking with a co-worker, I tried to sketch out his recurring interests: “he makes movies about men, often directors, who cheat on women and have trouble with themselves.” She rolled her eyes, and I’m not blaming her: what, again? Garrel began making movies as a teenager, and his early work that I’ve seen is both gorgeous and the epitome of stereotypical arthouse pretension of the period. There is 1968’s Le lit de la vierge, a very of-its-time film about a particularly mopey Jesus, and 1975’s Le berceau […]
by Vadim Rizov on Jan 13, 2016 -
Christophe Honoré, Love Songs
LUDIVINE SAGNIER, CLOTILDE HESME AND LOUIS GARREL IN DIRECTOR CHRISTOPHE HONORÉ’S LOVE SONGS. COURTESY IFC FILMS AND RED ENVELOPE ENTERTAINMENT. Occasionally a filmmaker comes along who truly remind us why we love cinema. Christophe Honoré is not only one of those people, but also finds multiple other ways of expressing his seemingly endless creativity. He was born in Finistere (literally “The end of the world”), a small town in Brittany, France, and attended the University of Rennes, where he studied literature and film. In 1995, he moved to Paris where he began reviewing for the legendary Cahiers du Cinéma while […]
by Nick Dawson on Mar 21, 2008
