Films are made of and from places: the locations they are filmed in, the settings they are meant to evoke, the geographies where they are imagined and worked on. What place tells its own story about your film, whether a particularly challenging location that required production ingenuity or a map reference that inspired you personally, politically or creatively? Love Me takes place over Earth’s 10 billion year life, from its birth to its death when the sun becomes a red giant and consumes our solar system. From the beginning, we knew that we couldn’t rely on just VFX to show these […]
by Filmmaker Staff on Jan 19, 2024Joseph Krings (Galveston, Captain Fantastic) is the credited editor on two films at Sundance this year: the sci-fi animated Love Me, starring Kristen Stewart and Steven Yeun, and Winner, a biopic about Reality Winner, the imprisoned whistleblower who leaked NSA documents related to Russian interference in the 2016 election. Below, Krings discusses both films at length, touching on the challenges of editing a film that is going to be heavily reworked in animation, finding the right balance between tragedy and gallows humor, and the peculiar VFX challenges of both films. See all responses to our annual Sundance editor interviews here. Filmmaker: […]
by Filmmaker Staff on Jan 19, 2024Hot Docs, the largest documentary festival in North America, opens Thursday night in Toronto, and a number of films caught my eye: Return to Homs is a grim diary of the Syrian civil war filmed from the inside — a dystopic landscape of bombed-out buildings, dead children, and snipers pockmarking empty streets as civilians run like frightened rats. The winner of the Grand Jury Prize in the World Documentary section at Sundance, this is likely the most difficult film to watch at this year’s Hot Docs, but perhaps its most rewarding. On a similar note, The Condemned profiles several inmates […]
by Allan Tong on Apr 23, 2014