As much as I love Breaking Bad, The Wire, Mad Men and Twin Peaks, as great and as groundbreaking as those shows were, they still are not cinema. The recent explosion of quality long-form cable series has taken the TV form to a new level of artistry and craftsmanship. A show like Mad Men is not only thrilling because of its commentary on its era, but because of the zeitgeist energy created by everyone watching the show, talking about it and sharing opinions on social media. Today, perhaps more than ever, a new season of a quality show becomes a […]
by Mike S. Ryan on Jul 23, 2015For your Sunday morning, here’s some of what I’ve been reading this past week. At the Rumpus, filmmaker (and 25 New Face) Astra Taylor is interviewed about her book The People’s Platform: Taking Back Power and Culture in the Digital Age, which I can’t wait to read. An excerpt: Also, after Examined Life was finished I found myself thinking about the way creative opportunities and distribution channels were shifting. Should I be showing my films in theaters or just think about getting them out online? There were other issues, too. For example, instead of being asked to write an article, […]
by Scott Macaulay on Apr 27, 20142013 has been a tough year to sum up for television. If it could be characterized by one trend, it would likely be the sheer glut of content being produced. With more cable channels investing in their own programming, as well as the long-promised rise of online networks such as Netflix and Amazon, it often feels like you can’t go a week without hearing about a new buzzed about, “best series on television.” Add to that the increased presence of international series on American screens (thanks to the likes of Hulu, DirecTV, BBC America, and the Sundance Channel, among others), […]
by Jane Schoenbrun on Dec 23, 2013With each passing year, it seems more and more archaic to refer to television’s current landscape as a ‘Golden Age.’ How long exactly can a ‘Golden Age’ last before we start to consider it a permanent phenomenon? For a decade and a half now, we’ve seen a steady stream of pioneering shows that have changed the mainstream standard for quality television. Yes, many of these shows exist on the fringes of TV – are supremely low-rated or in constant threat of cancellation. And yes, the medium is still undoubtedly in a state of flux, as everyone scrambles to figure out […]
by Jane Schoenbrun on Jan 4, 2013Here we are again, with part three in a series highlighting some of 2011’s most daring, innovative television. This week, I’ll be singing the praises of AMC’s consistently shocking and always riveting Breaking Bad. Indeed, there is no show on TV more unrelenting in its exploration of human misery than Breaking Bad. Created by former X-Files writer Vince Gilligan, the show stars Bryan Cranston as Walter White, a high school chemistry teacher who, after being diagnosed with cancer, begins cooking and distributing meth with the help of a burnout ex-student (Aaron Paul). If that premise sounds a bit too high-concept […]
by Jane Schoenbrun on Dec 22, 2011Via Pitchfork comes this video for Broken Bells’ “The Ghost Inside,” directed by Jacob Gentry and starring Mad Men’s Christina Hendricks. As part of their “Director’s Cut” series, they interview today the director of this haunting sci-fi critique of our glamour-obsessed culture. From the interview: Pitchfork: This looks like a pretty big production for a relatively small band like Broken Bells. Jacob Gentry: A lot of people say it looks big and expensive, but it wasn’t by any stretch. The special effects in the video were limited to things that could’ve been done in the late 70s or early 80s. […]
by Scott Macaulay on Jul 21, 2010