Madonna
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Put It In Writing: Living Through the Films of Abel Ferrara, Part Four
Evan Louison last wrote about Abel Ferrara for Filmmaker‘s 25th anniversary issue in his report, “Letter from Rome.” Given the assignment to interview Ferrara in conjunction with his month-long MoMA retrospective, Louison responded with a five-part personal memoir that tracks the impact of the director and his work on his own life. Check back each day this week for the next in the series, and read Part One, Part Two and Part Three. On the Run and Playing a Dangerous Game “Hell is here and now, and so is the opportunity to know heaven. I you take the journey, you’ll […]
by Evan Louison on May 16, 2019 -
Bringing People Together in VR: Sakchin Bessette on Moment Factory
For the past 14 years Montreal’s Moment Factory has been bucking the online trend to create larger-than-life, physical reality (PR?) experiences that force folks to come together in the flesh-and-blood world. With over 300 multimedia projects in wide-ranging locations under their belt — from the LAX international terminal, to the Atlantic City Boardwalk, to Barcelona’s Sagrada Familia cathedral — the studio is still perhaps best known to Americans for designing Madonna’s halftime spectacle at the 2012 Super Bowl. Filmmaker was fortunate enough to speak with co-founder and creative director Sakchin Bessette about the profession of experience designing, and whether the […]
by Lauren Wissot on Feb 2, 2016 -
ABEL FERRARA CLIP MONTAGE, ANTHOLOGY SCREENINGS
I have to admit, I find the way ads are served on the Film Annex sites is kind of weird. My browser gets spazzy as the “Pet Fit” commercial affixed to the head of this Abel Ferrara clip montage plays. That said, it’s worth sitting through a chirpy model telling you how to slim down your canine for this collection of prime moments from Abel Ferrara’s career. (How great was Madonna in Dangerous Game?) Ferrara is the subject of a series of mostly new films at the Anthology Film Archives this week, “Abel Ferrara in the 21st Century.” (Note to […]
by Scott Macaulay on Jan 5, 2011
