It’s a fraught moment for any director — “locking picture,” with all the finality the term signifies. But, as a panel on “Scoring for Television & Film” at the recent Independent Film Festival Boston (IFFBOSTON) revealed, for composers it’s a vital stage in their process of scoring a film. The panel was moderated by filmmaker and musician Tim Jackson, and the panelists were composers Mason Daring, John Kusiak and Sheldon Mirowitz. The discussion covered how they got into the business, how they write music, the differences between drama and documentary and much more, but Daring’s fairly lengthy exhortation on locking […]
by Michael Murie on May 10, 2017