For decades John Waters has been the filmmaker who has sprung to mind when one thinks about Baltimore and the movies. But with the release of his exquisitely directed, formally rigorous second feature, Putty Hill, Matt Porterfield adds his name to the city’s cinematic honor roll. “For me, Baltimore — the physical environment and its people — is a real source of inspiration,” he says. “It’s a diverse but stratified city, an amalgam of the North and South, divided along race, class, and socioeconomic lines. I hope my films can perform some kind of social function by bridging gaps and […]
by Scott Macaulay on Jul 17, 2010