During its development, production or eventual distribution, what specific challenge of communication did, or will your film, face? How did you deal with it, or how are you planning to deal with it? For me, the greatest communication challenge that I encountered while working on my film happened during the prep phase, where I was still scrambling to raise funds and cast my leads. This was my first feature and a lot of people just weren’t sure of me yet. And short of surgically implanting someone into my head, it was nearly impossible to convey to them how the film […]
by Filmmaker Staff on Jan 22, 2017Five years ago, Michelle Morgan made her Sundance debut with the short film K.I.T. She returns to the festival in 2017 as the writer, director and star of her first feature, L.A. Times, a romantic comedy where she plays alongside Jorma Taccone of Lonely Island fame. Morgan hired Nicholas Wiesnet, a DP known primarily for documentary and short film work, to shoot the picture. Below, Wiesnet discusses how he got the job, why he shot the film in anamorphic widescreen and his approach to lighting and blocking comedy. L.A. Times will screen six times during the 2017 Sundance Film Festival. Filmmaker: How and why did you […]
by Filmmaker Staff on Jan 20, 2017With the passing yesterday of legendary horror auteur George Romero, we’re reposting Nick Dawson’s 2008 interview with the director on the release of the penultimate chapter of his zombie series, Diary of the Dead. R.I.P. George Romero. No matter how you look at it, George A. Romero will always be remembered as the godfather of the zombie movie. Born in 1940 in New York City, Romero graduated from Carnegie Mellon in the early 60s and stayed in Pittsburgh to set up a commercial production company. In 1968, he segued into features with his seminal debut, Night of the Living Dead, […]
by Nick Dawson on Feb 15, 2008