Jean-Luc Godard called Robert Bresson’s Au Hasard Balthazar “the world in an hour and a half,” and revisiting the film over 50 years after its release, it’s hard to disagree. There’s not a lot of plot in the conventional sense; Bresson simply follows the life of a donkey as he passes through various owners and uses the animal as a linking device between episodes depicting the human condition in all its variety — though he does tend toward the darker side of the emotional spectrum. For all the talk of salvation and transcendence in Bresson’s films that has been going […]
by Jim Hemphill on Jun 1, 2018Today is Dustin Hoffman’s 77th birthday, as good an opportunity as any to post this 33-minute interview from 1975. Conducted with patient professionalism and minimal intrusiveness by veteran interviewer Michael Parkinson, the conversation starts with lots of long pauses and deadpan stares from Hoffman, who claims his real name is Clare Boothe Luce. Loosening up, he deadpans that his “first fantasy was to be a sex symbol film star,” discusses how he drew upon his high school fear of buying “male prophylactics” for the scene in The Graduate when Benjamin Braddock nervously checks into a hotel, recounts his first sexual […]
by Vadim Rizov on Aug 8, 2014