Leading up to our 18th birthday, I’ll be revisiting on the blog one issue of Filmmaker a day. Today’s is Winter, 1994. Today, most of our Filmmaker covers are original photography, but back in the day, we didn’t have the budget and were forced to work with supplied art from distributors. Scott McGehee and David Siegel, who went on to The Deep End, Bee Season, and, most recently, Uncertainty, made their debut with Suture, a formally challenging meta-thriller with a wobbly poster that produced for us a somewhat inscrutable cover. We took their key art, cropped it, colorized it yellow […]
by Scott Macaulay on Aug 7, 2010Director Mike Leigh is on London stages now with Two Thousand Miles, his first ever “Jewish play.” Linda Grant in The Guardian talks to Leign about his Jewish heritage and why it hasn’t surfaced in his work until now. An excerpt: It was a kosher home, though they only went to synagogue now and again and they drove on the sabbath. “But it was very, very Jewish. My grandparents were immigrants – they talked in Yiddish – and there were some outreaches of the family where there were genuine frummers [Orthodox].” It was a time, he points out, when many […]
by Scott Macaulay on Apr 17, 2006