“Who Does Visibility Serve and Who Does it Harm?”: Chase Joynt and Morgan M. Page on Their Sundance Doc Framing Agnes
Framing Agnes, the title of Chase Joynt’s (No Ordinary Man) latest genre-queering film – world premiering in the Next section at this year’s Sundance – refers to a controversial trans woman who, in the 1960s, participated in a groundbreaking gender health research study at UCLA. It also refers to the fact that, historically, trans people have never been allowed to leave the frame. Or, paradoxically, enter the frame (if not a blond beauty like Agnes or Christine Jorgensen). So how does Joynt place Agnes in his cinematic frame without framing her? The answer is with an abundance of artistic ingenuity […]
by Lauren Wissot on Jan 24, 2022