Music in cinema continually captivates audiences. Scores and soundtracks can become as renowned as a film itself and play a large part in an audience’s emotional engagement with a movie. Awards are distributed honoring Best Original Song, Best Original Music Score, Best Film Music, and Best Music Direction at multiple film festivals and award ceremonies. But music has also always been a fascinating subject for movies as well. Struggling musicians to sensational bands, and everyone in between, have been captured in film. The Sundance Film Festival is often the first venue at which these movies premiere, and this year is […]
by Alexandra Byer on Jan 20, 2014LAU CHING WAN IN DIRECTOR JOHNNIE TO’S MAD DETECTIVE. COURTESY IFC FILMS. Somewhere between John Woo and the auteurs of the French New Wave lies Hong Kong native Johnnie To, currently one of the most engaging and vibrant directors in world cinema. The 53-year-old started making action movies in 1980, and over the course of the next decade and a half established himself as a skilled genre director, not only of thrillers but also of light comedies and melodramas. He rose to prominence with a number of highly successful collaborations with star Chow Yun Fat and in 1996, along with […]
by Nick Dawson on Jul 18, 2008LUDIVINE SAGNIER, CLOTILDE HESME AND LOUIS GARREL IN DIRECTOR CHRISTOPHE HONORÉ’S LOVE SONGS. COURTESY IFC FILMS AND RED ENVELOPE ENTERTAINMENT. Occasionally a filmmaker comes along who truly remind us why we love cinema. Christophe Honoré is not only one of those people, but also finds multiple other ways of expressing his seemingly endless creativity. He was born in Finistere (literally “The end of the world”), a small town in Brittany, France, and attended the University of Rennes, where he studied literature and film. In 1995, he moved to Paris where he began reviewing for the legendary Cahiers du Cinéma while […]
by Nick Dawson on Mar 21, 2008CHRISTOPHER WALKEN IN JOHN TURTURRO’S ROMANCE & CIGARETTES. COURTESY UNITED ARTISTS. John Turturro has the distinction of being both a director’s actor and an actor’s director. A favorite of both Spike Lee and the Coen brothers, over the past 20 years Turturro has marked himself out as one of the most interesting and talented actors in film, and whether it is a blocked writer (Barton Fink), a socially-awkward chess master (The Luzhin Defense) or a grief-stricken widower (Fear X), he adds a depth and humanity to the characters he inhabits. In 1992, he directed his first film, Mac, about three […]
by Nick Dawson on Sep 7, 2007