One of the bleakest, most affecting and most expertly directed movies ever made for television arrives on Blu-ray this week in the form of Kino Lorber’s special edition of Nicholas Meyer’s The Day After. When it first aired on ABC on November 20, 1983, Meyer’s harrowing vision of the impact of a nuclear war on a Kansas town was a phenomenon — over a hundred million people tuned in, making The Day After the highest rated TV-movie in history. It also happened to be one of the most powerful and sophisticated thanks to Meyer’s uncompromising approach to his material (an […]
by Jim Hemphill on Aug 10, 2018Directing episodic television can be one of the most challenging forms of filmmaking. A tricky balancing act is required by having to simultaneously meet the expectations of the audience, the demands of the network and showrunner, and the desires and opinions of actors and crew, who have been on the show for years — and all while providing a distinctive enough point of view so as to make one’s self essential to the process (and thus get asked back to direct more episodes). Few directors have managed to navigate the intersection between personal expression and mass entertainment as well as […]
by Jim Hemphill on May 22, 2018I’ve written elsewhere about my admiration for the filmmaking on NCIS: New Orleans, a procedural that channels the spirit of Rio Bravo-era Howard Hawks to combine laid-back charm and camaraderie with kinetic, expertly choreographed action sequences. Under the guidance of producing director James Hayman, whose “Aftershocks” episode from season three is a clinic in Hitchcockian suspense, NCIS: New Orleans has assembled one of the best rotating companies of directors in episodic television: James Whitmore, Jr., Stacey K. Black, Rob Greenlea, and Bethany Rooney are just some of the superb helmers who have done fine work on the series over the […]
by Jim Hemphill on Sep 7, 2017