Some of my best conversations have been with people who weren’t there. Absent was OK—even nonexistent was OK. As long as I imagined somebody was there. I did that as a prolific letter writer, I did that as a novelist, and most recently, I did that as a filmmaker. More than 20 years after the defining trainwreck of my youth—having my teacher/mentor disappear with all the footage of a 16mm film we’d shot together—I decided to make a film that would both document the joys and perils of teenage creativity and unfurl the detective work behind the mystery of the […]
by Sandi Tan on Sep 17, 2018Shane Black was just 24 years old when he sold the spec script that would become Lethal Weapon. Since then Black’s name in the credits – whether as writer or director – brings a certain set of expectations: tarnished, mismatched heroes (likely of the cop and/or private detective variety); a plot overflowing with set-ups and pay-offs, reversals, and sly humor; the subversion of genre tropes; and at least an 85 percent chance of a Christmas setting. Most of that checklist gets ticked off in Black’s latest The Nice Guys, a detective yarn in which a private investigator (Ryan Gosling) and […]
by Matt Mulcahey on Jun 15, 2016Has there ever been another summer for American movies like the summer of 1982? From the release of John Milius’s Conan the Barbarian on May 14 to the exploitation double-whammy of Class of 1984 and The Beastmaster on August 20, virtually every week saw the release of one or more spectacularly enjoyable films across a wide array of genres. The summer gave us a pair of Spielberg classics (E.T., Poltergeist) and numerous seminal science fiction films (Blade Runner and John Carpenter’s The Thing were released on the same day); teen comedies both high (Fast Times at Ridgemont High, The Last […]
by Jim Hemphill on Aug 5, 2015