The above video essay provides an excellent introduction to the French New Wave, which helped re-invigorate French cinema post-WWII. Spawned by Francois Truffaut, Jean-Luc Godard, Claude Chabrol, and other Cahiers du cinéma critics-turned-filmmakers, the film movement introduced the notion of the director as auteur. A collaboration by Press Play and No Film School, this video essay is the second in a series on film movements, their histories and their enduring influence. You can watch the first film in the series, on German Expressionism, here.
by Paula Bernstein on Sep 8, 2016In the Fall of 2011, filmmaker Ryan Koo — featured along with then-partner Zachary Lieberman on our 2008 “25 New Faces” — announced his debut feature, Man-child. Embarking on an ambitious Kickstarter campaign, Koo leveraged not only the community he had been building via his excellent website, No Film School, but also his project’s selection for the IFP and Film Society of Lincoln Center’s Emerging Visions program. The campaign was a success, raising $125,100, and, as he’s moved his story of youth basketball forward, Koo has been, essentially, open-sourcing his progress, giving advice on not only social-media fundraising but screenplay […]
by Scott Macaulay on Apr 17, 2013At Google’s IO Conference this week, the search giant announced several new products and platforms, including the latest Android operating system, Froyo (named after “frozen yogurt”), and, perhaps most significantly for filmmakers, Google TV. At the heart of Google TV is a simple notion: right now we watch a lot of TV after it is broadcast on our computer simply because a) its creators have placed it there and b) it’s easy to find what we want to watch through internet search. But, if we could watch it on our TV screens? Wouldn’t we rather view it there? At his […]
by Scott Macaulay on May 22, 2010