Asia Kate Dillon is a true trailblazer. They are the first non-binary (gender non-conforming) actor to play a non-binary character on a television show (Taylor on Showtime’s Billions). That itself is noteworthy, but Dillon also happens to be an amazing actor who brings such depth and life to characters, making representation even more powerful. Now, In John Wick: Chapter 3, Dillon calmly commands attention as a mysterious character called The Adjudicator. Dillon talks about sliding into that role and what it takes to slide out of a role like Brady, the skinhead inmate, in Orange Is The New Black, plus […]
by Peter Rinaldi on May 14, 2019Two things distinguish director Andrew McCarthy’s television work: exceptionally loose, naturalistic performances, and a rigorously elegant sense of framing and blocking. An actor’s director in the best sense, in that he treats behavior as one component of a fully integrated, visually expressive whole, McCarthy’s episodes of any given series are almost always that program’s most emotionally and cinematically layered. Even on a show like The Blacklist that already has a strongly established visual style, McCarthy is able to integrate his own preoccupations with the preexisting framework to both serve the franchise and deepen it. (He also elicits delightful effects from […]
by Jim Hemphill on Apr 19, 2016Michael Shaw has had an illustrious career as a production designer, moving from some of the most notable independent films of the 1990s (Heavy, Boys Don’t Cry, You Can Count on Me) to a string of this decade’s top television shows (The Big C, Orange is the New Black). On Saturday, July 25, he’ll be leading a production design masterclass focused on Orange is the New Black at the IFP’s Made in New York Media Center. Shaw kindly took time out from designing the Wall Street environs of Showtime’s upcoming Billions to speak about his career as a production designer, […]
by Scott Macaulay on Jul 23, 2015