One of the most impressive directing debuts I’ve seen this year is Bartlett Sher’s clear, concise and extremely moving drama Oslo, a movie that distills complex themes and conflicts into a remarkably accessible and riveting political suspense film. Adapting his own Tony Award-winning play, screenwriter J.T. Rogers tells the true story of the secret back-channel talks and unlikely friendships between a small group of Israelis, Palestinians, and a Norwegian couple acting as facilitators that led to the 1993 Oslo Peace Accords. The script is a model of elegant structure, weaving precise journalistic details into a sophisticated ensemble character study in […]
by Jim Hemphill on Jun 1, 2021The Australian-born critic Shane Danielsen wrote an amusing piece for Indiewire about this year’s Berlin Film Festival. He compared the smell outside some of the screening rooms to that of sperm. I remember it being stinky, but not that particular odor. Shane is, however, a reliable source. One of two things at Cannes that really gets on my nerves is the smell inside the press screenings, especially those that take place at 8:30 a.m. The 5000-seat theater is packed. No pun intended, but these projections are the pits, the lower depths of hygiene. Maybe it’s time constraints or perhaps cultural practices, but you […]
by Howard Feinstein on May 7, 2011