Pariah

When Is It Okay To Walk Out Of A Movie ?

Sundance is over. Ditto, Rotterdam. With Berlin right around the corner, it seems a good time to ask the question: When is it okay to walk out of a movie? I saw over 25 features at Sundance this year. Many of those films will receive serious releases in 2011 and wind up on “Best of” lists at the year’s end. Some of my favorites are still seeking distribution. I interviewed directors of a number of films. Of the features I haven’t already written about, personal favorites include Pariah, Terri, Catechism Cataclysm, The Mill and the Cross, Hell and Back Again, […]
by James Ponsoldt on Feb 9, 2011
SUNDANCE ’11 WINNERS ANNOUNCED: “LIKE CRAZY” & “HOW TO DIE IN OREGON” TOP LIST

The Sundance Film Festival announced its jury prize winners this evening with Drake Doremus‘ examination of a long-distance relationship, Like Crazy, taking home the Grand Jury Prize. The film’s lead actress, Felicity Jones, also won a Special Jury acting prize. Other top winners include Peter D. Richardson‘s documentary, How to Die in Oregon for Grand Jury doc prize; Circumstance won the dramatic Audience Award while Buck won the audience award for documentary. Sean Durkin won the narrative best directing prize for Martha Marcy May Marlene and best doc directing went to Jon Foy for Resurrect Dead: The Mystery of the […]
by Jason Guerrasio on Jan 29, 2011
PARK CITY CRITIC’S NOTEBOOK #1: WOMEN IN TROUBLE

On the night the latest edition of the Sundance Film Festival kicked off, I was approached by a man in a beat-up looking bubble coat and slacks three thousand miles away in a Crown Heights, Brooklyn laundromat. He extended his hand, in which he was holding six plastic sheets with DVDs in them, and tersely said, “Movies.” I looked down at the half-a-dozen bootleg discs in his hand, most of which were sequels to “urban” thrillers I had never heard of in the first place. “I’m good,” I brusquely whispered, causing him to saunter off into the fluorescent hum and […]
by Brandon Harris on Jan 22, 2011
“PARIAH” | writer-director, Dee Rees

[PREMIERE SCREENING: Thursday, Jan. 20, 9:30 pm — Eccles Theatre] The biggest surprise associated with making Pariah came after watching the first rough cut when we discovered that this was not a “black lesbian” movie. We had fought this BRUTAL uphill battle in funding the film with financiers and investors balking at the story because it was “too small and specific” (which is code for “too black and too gay”). After we screened the first cut, one of our early advisors went so far as to describe it as “commercial.” We didn’t know whether to slap them or celebrate. After […]
by Filmmaker Staff on Jan 18, 2011

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