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“Eat to Remember”: Audrey Ewell on Her Fiction Series, The Black Seed
In filmmaker Audrey Ewell’s The Black Seed, a woman wakes up in an anonymous corporate-style apartment with no memory of how she got there. Examining her body, it feels somewhat alien to her, as if she’s still suffering the effects of some night-before dissociative drug. Looking out the window, the city below looks peaceful, serene, but also completely depopulated. Where is she? Who is she? The only clue is a note taped to the refrigerator: “THE WORLD ENDED. IT’S NOT SAFE. EAT TO REMEMBER.” With that launches Ewell’s inventive and surprising “fiction series,” which blends a kind of existentialist mystery […]
by Scott Macaulay on May 3, 2022 -
Why Kurosawa Was a Master of Movement
Here’s another masterful film essay by Tony Zhou, this time on Akira Kurosawa’s use of movement in his films. Movement, you ask? Aren’t movies motion pictures and, thus, constructed around movement? Well, as a comparison scene from The Avengers shows, there is movement in the form of listless dolly moves and diffident head tilts, and then there is movement — elegant, multi-point master shots, vibrant background elements like wind and rain, and outsized expressions from actors that can replace pedantic dialogue. I especially like Zhou’s discussion of how Kurosawa cuts from stillness to movement. His appreciation here of Kurosawa has […]
by Scott Macaulay on Mar 22, 2015 -
Fundraising $100,000 a Year for Online Video: Mike Stoklasa on Patreon
“Red Letter Media is Creating Weird Internet Videos and Films” is the tagline for the Milwaukee-based collective’s page on online fundraising platform Patreon. It’s an appeal that has impressively generated the group almost $100,000 a year in fan donations. Red Letter Media is the home of various creators, including Mike Stoklasa, whose critical vivisections of George Lucas’s Star Wars prequels landed him on Filmmaker‘s 25 New Faces list in 2010. Offering reviews of films and video games alongside other content (like a comedic instructional feature film, How Not to Make a Movie), Red Letter monetizes itself through YouTube advertising, DVD […]
by Scott Macaulay on Aug 7, 2014
